Prima Donna

In The Phantom of the Opera, Carlotta is the Prima Donna. After she is told by the Phantom that she is no longer necessary, and as she sees a younger, lovelier, more talented woman try to step up to fill her place, she comforts herself with the song "Prima Donna," in which she reminds herself that any part is better than leaving the theatre. She pretends it's a sense of obligation, that it's all for her fans, but I always had a sneaking suspicion that she, like most thespians, is inexplicably drawn to the planks.

"Prima Donna, your song shall never die. You took a snub, but there's a public who needs you."

They say there are no small parts. I cordially disagree, but I'm grateful for mine anyway. I wasn't at first, of course. With no lines and no character details, I thought of quitting instead of "wasting" my time at rehearsals where I wouldn't do anything. Then I got some sleep and gained some perspective: if giving me a part that I didn't read for (and that is technically for males) isn't a gift, and probably more than I deserve too, then I don't know what is. If I can't find a purpose in my small role then I'm not the actress I think I am. 

I'm forever grateful that I discovered the theatre. This play will be one excellent step on a journey that I hope never ends for me. I'm glad I auditioned, and I'm glad it turned out the way it did. Congratulations to the cast  of the Man Who Came to Dinner! This promises to be an amazing show!